
American Basses An Illustrated History & Player's Guide
by Roberts, JimRent Book
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Summary
Author Biography
Table of Contents
Foreword | p. VII |
Acknowledgments | p. IX |
Introduction | p. XI |
A Note About Terminology | p. XIV |
Designing a Bass: Three Views | |
Starting from Scratch | p. 1 |
Making a Concept Come to Life | p. 2 |
Breaking the Rules | p. 4 |
Building a Bass: the Quest for Tone | p. 5 |
Builder Profiles | |
p. 11 | |
p. 27 | |
p. 31 | |
p. 44 | |
p. 49 | |
p. 51 | |
p. 71 | |
p. 87 | |
p. 89 | |
p. 94 | |
p. 112 | |
p. 118 | |
p. 133 | |
p. 138 | |
p. 139 | |
p. 149 | |
p. 162 | |
p. 178 | |
p. 182 | |
p. 182 | |
p. 184 | |
p. 187 | |
Across the Pond(s): a Brief Look at the International Scene | p. 191 |
Sources | p. 195 |
Addresses | p. 196 |
Photo Credits | p. 200 |
Index | p. 201 |
Inside Info | |
A Field Guide to Alembic Basses | p. 16 |
Why Active? | p. 19 |
The Luthier's Workshop: Tools and Safety | p. 24 |
Demystifying Bass Setup | p. 37 |
In Search of the Perfect Pickup | p. 39 |
When Was It Made? | p. 57 |
Building Berry Oakley Jr.'s "Tractor" Replica | p. 64 |
Some Thoughts on Hardware and Pickups | p. 68 |
The Woods of Ken Smith Basses | p. 98 |
The Art and Science of Inlay | p. 102 |
Neck Wood and Tone | p. 110 |
Creating Signature Models | p. 113 |
Good Fretwork--The Key to a Great Bass | p. 122 |
Fingerboard Factors | p. 146 |
How to Defeat Hum & Buzz | p. 154 |
Active Electronics | p. 163 |
Bolt-On vs. Neck-Through | p. 169 |
String Angles & Tone | p. 189 |
Table of Contents provided by Ingram. All Rights Reserved. |
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