Black Paintings: Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Frank Stella
by Rauschenberg, RobertFormat: Hardcover
Pub. Date: 2007-01-01
Publisher(s): Distributed Art Pub Inc
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Summary
The publication, with an informative essay by Stephanie Rosenthal, will shed light on the differences between these post-war works created in New York, as well as the things they have in common. It pursues the question of what meaning they have in the context of each artist's entire oeuvre.
Table of Contents
| Black in art - art in New York | p. 13 |
| Black paintings 1951-1967 | p. 23 |
| Robert Rauschenberg : black fields of experimentation | p. 25 |
| Ad Reinhardt : "how to look at..." | p. 35 |
| Frank Stella : poker faces | p. 45 |
| Mark Rothko : a stage for tragedy | p. 55 |
| Interlude : the artist as creator : Barnett Newman | p. 65 |
| Black paintings : transitions and self-portraits | p. 71 |
| Black paintings as transitions | p. 73 |
| Preliminary conclusions : similarities and differences | p. 77 |
| Creation and transitions : night is the place, black its color | p. 79 |
| Interlude : James Abbott McNeill Whistler and Kasimir Malevich | p. 85 |
| Black paintings as self-portraits | p. 91 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
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