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x | |
Preface |
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xi | |
Acknowledgments |
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xiv | |
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1 | (11) |
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The universality of narrative |
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1 | (2) |
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3 | (3) |
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6 | (6) |
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12 | (13) |
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12 | (2) |
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Story and narrative discourse |
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14 | (3) |
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The mediation (construction) of story |
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17 | (3) |
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Constituent and supplementary events |
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20 | (2) |
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22 | (3) |
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25 | (11) |
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25 | (1) |
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26 | (1) |
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The outer limits of narrative |
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27 | (4) |
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Is it narrative or is it life itself? |
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31 | (5) |
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The rhetoric of narrative |
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36 | (15) |
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The rhetoric of narrative |
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36 | (1) |
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37 | (3) |
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40 | (2) |
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42 | (4) |
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Narrative rhetoric at work |
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46 | (5) |
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51 | (11) |
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51 | (1) |
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52 | (1) |
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Closure, suspense, and surprise |
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53 | (1) |
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Closure at the level of expectations |
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54 | (2) |
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Closure at the level of questions |
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56 | (1) |
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57 | (5) |
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62 | (14) |
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A few words on interpretation |
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62 | (1) |
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63 | (1) |
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64 | (2) |
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66 | (1) |
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67 | (2) |
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69 | (1) |
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70 | (2) |
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Narration on stage and screen |
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72 | (4) |
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76 | (17) |
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77 | (2) |
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79 | (3) |
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82 | (1) |
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83 | (2) |
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85 | (3) |
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Repetition: themes and motifs |
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88 | (5) |
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Three ways to intrpret narrative |
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93 | (12) |
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The question of wholeness in narrative |
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93 | (2) |
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95 | (2) |
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97 | (3) |
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100 | (5) |
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105 | (18) |
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Adaptation as creative destruction |
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105 | (2) |
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107 | (2) |
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109 | (2) |
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111 | (3) |
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114 | (1) |
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115 | (3) |
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Constraints of the marketplace |
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118 | (5) |
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Character and self in narrative |
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123 | (15) |
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123 | (3) |
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Flat and round characters |
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126 | (1) |
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127 | (2) |
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129 | (2) |
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131 | (3) |
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Life writing as performative |
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134 | (4) |
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138 | (18) |
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138 | (4) |
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142 | (2) |
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144 | (2) |
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Motivation and personality |
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146 | (2) |
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148 | (2) |
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Revising cultural masterplots |
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150 | (2) |
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Battling narratives are everywhere |
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152 | (4) |
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156 | (20) |
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157 | (5) |
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Critical reading as narrative negotiation |
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162 | (6) |
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168 | (3) |
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171 | (5) |
Notes |
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176 | (7) |
Bibliography |
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183 | (4) |
Glossary and topical index |
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187 | (11) |
Index of authors and narratives |
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198 | |