
Essays in Honor of Christopher Hogwood The Maestro's Direction
by Donahue, Thomas; Hogwood, Christopher; Brauchli, Bernard; Crowell, Gregory; Cunningham, Bridget; Klaus, Sabine K.; Levin, Robert D.; Martin, Darryl; Richards, Annette; Smith, Eleanor; Skowroneck, Tilman; Tomita, Yo; Troeger, RichardRent Book
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Summary
Author Biography
Table of Contents
Foreword | p. vii |
Preface | p. ix |
Abbreviations | p. xiii |
Christopher Hogwood Chronology | p. xv |
From the Virginal to the Spinet: Domestic Keyboard Instrument Manufacture and Use in Stuart England | p. 1 |
Reading Soul from Manuscripts: Some Observations on Performance Issues in J. S. Bach's Habits of Writing His Music | p. 13 |
Handel's Visit to Dublin, 1741-42 | p. 41 |
Picturing the Moment in Sound: C. P. E. Bach and the Musical Portrait | p. 57 |
John Crang: His Workshop and Surviving Claviorgan | p. 91 |
Thoughts on Articulatory Notation in Haydn's Solo Keyboard Music | p. 121 |
What Keyboard Instrument Did Mozart Envision for His Concerto in D major, K. 175? | p. 137 |
Square Pianos in German-Speaking Areas at the Time of Wolfgang Amadeus Mozart and Their Possible Uses in His Works | p. 157 |
Two Eighteenth-Century Swedish Clavichords in American Collections | p. 181 |
Beethoven and the Clavichord | p. 197 |
Stringband Design for Fretted Clavichords | p. 209 |
Afterword: How to Evade Autobiography | p. 243 |
Index | p. 249 |
About the Contributors | p. 255 |
Table of Contents provided by Ingram. All Rights Reserved. |
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