Film Narratology

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Format: Hardcover
Pub. Date: 2009-11-15
Publisher(s): Univ of Toronto Pr
List Price: $77.79

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Summary

Most modern studies of narrative tend to focus predominantly on literature with only some reference to film. In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scne, cinematography, and editing.Reworking the definitive theory of narration offeredby literary scholar Mieke Bal, Film Narratologyexamines cinematic techniques such as external and internal narration, visual and auditive focalization, the narrative force of sound, and the ambiguities caused by voice-overs and flashbacks. Verstraten illustrates these narrative principles with a broad range of examples drawn from avant-garde cinema, golden age Hollywood, blockbusters, and European art cinema. Insightful and comprehensive, Film Narratologywill surely become the standard reference of cinematic narration for film students and scholars.

Table of Contents

List of Illustrationsp. vii
Acknowledgmentsp. ix
Introductionp. 3
Is Cinema Essentially Narrative?p. 12
Basic Principles of Narratologyp. 31
The Narrative Impact of the Mise en Scènep. 49
The Narrative Impact of Cinematographyp. 66
Story and Fabula Disconnected through Editingp. 78
The Visual Narrator and Visual Focalizationp. 96
Tension between the Visual and Auditive Narratorsp. 125
Sound as a Narrative Forcep. 146
The Narrative Principles of Genresp. 171
Filmic Excess: When Style Drowns the Plotp. 188
Appendix: The Virgin Suicides as a Test Casep. 205
Notesp. 219
Bibliographyp. 241
Illustration Creditsp. 247
Index of Conceptsp. 249
Index of Names and Titlesp. 255
Table of Contents provided by Ingram. All Rights Reserved.

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