From Bomba to Hip-Hop

by
Format: Paperback
Pub. Date: 2000-04-01
Publisher(s): Columbia Univ Pr
List Price: $34.58

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Summary

Neither immigrants nor ethnics, neither foreign nor "hyphenated Americans" in the usual sense of that term, Puerto Ricans in New York have created a distinct identity both on the island of Puerto Rico and in the cultural landscape of the United States. Juan Flores considers the uniqueness of Puerto Rican culture and identity in relation to that of other Latino groups in the United States -- as well as to other minority groups, especially African Americans. Architecture and urban space, literary traditions, musical styles, and cultural movements provide some of the sites and moments of a cultural world defined by the interplay of continuity and transformation, heritage and innovation, roots and fusion. Exploring this wide range of cultural expression -- both in the diaspora and in Puerto Rico -- Flores highlights the rich complexities and fertile contradictions of Latino identity.

Author Biography

Juan Flores is professor of Black and Puerto Rican studies at Hunter College and professor of sociology at the CUNY Graduate Center.

Table of Contents

Prelude From Bomba to Hip-Hop 1(6)
Introduction 7(10)
``pueblo pueblo''
Popular Culture in Time
17(14)
The Lite Colonial
Diversions of Puerto Rican Discourse
31(18)
Broken English Memories
Languages in the Trans-Colony
49(14)
``Salvacion Casita''
Space, Performance, and Community
63(16)
``Cha-Cha with a Backbeat''
Songs and Stories of Latin Boogaloo
79(36)
Puerto Rocks
Rap, Roots, and Amnesia
115(26)
Pan-Latino/Trans-Latino
Puerto Ricans in the ``New Nueva York''
141(26)
Life Off the Hyphen
Latino Literature and Nuyorican Traditions
167(24)
The Latino Imaginary
Meanings of Community and Identity
191(14)
Latino Studies
New Contexts, New Concepts
205(16)
Postscript
``None of the Above''
221(8)
Notes 229(20)
Selected Bibliography 249(4)
Acknowledgments and Permissions 253(2)
Index 255

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