Foreword |
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vii | |
Preface |
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ix | |
Acknowledgments |
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xiii | |
About the Author |
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xv | |
Contents |
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xvii | |
Part 1: Kick Out the Jams |
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Chapter 1: Songs in the Key of iLife |
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3 | (14) |
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What You Have...and What You Need |
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4 | (5) |
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The minimalist Mac musician |
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5 | (1) |
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Get your MIDI mojo working |
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6 | (2) |
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Instruments and microphones |
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8 | (1) |
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Welcome to Your New Studio |
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9 | (3) |
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10 | (2) |
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12 | (1) |
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Starting a New Song Project |
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12 | (5) |
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13 | (1) |
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Setting the time signature |
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13 | (1) |
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14 | (3) |
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Chapter 2: Adding Prerecorded Loops |
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17 | (16) |
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18 | (2) |
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18 | (1) |
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Software Instrument loops |
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19 | (1) |
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20 | (6) |
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21 | (1) |
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21 | (1) |
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21 | (1) |
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22 | (4) |
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26 | (1) |
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26 | (4) |
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30 | (2) |
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32 | (1) |
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Chapter 3: Making Music Tracks |
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33 | (16) |
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Adding Tracks and Regions |
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34 | (6) |
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Creating and deleting a track |
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34 | (2) |
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Recording a region of music |
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36 | (2) |
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Changing the beat ruler and timeline |
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38 | (2) |
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40 | (5) |
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Moving, copying, and, pasting regions |
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40 | (2) |
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Looping, shortening, and extending regions |
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42 | (2) |
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Splitting and joining regions |
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44 | (1) |
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45 | (1) |
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Importing a MIDI Sequence |
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46 | (3) |
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Chapter 4: Mixing the Tracks |
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49 | (8) |
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50 | (2) |
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50 | (1) |
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51 | (1) |
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52 | (5) |
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Setting volume for all the tracks |
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53 | (1) |
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54 | (3) |
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Chapter 5: Playing in iTunes |
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57 | (14) |
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Getting to Know Your New Jukebox |
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58 | (3) |
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61 | (3) |
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61 | (1) |
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62 | (2) |
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Converting the Song Format |
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64 | (3) |
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Customizing Your Encoder Settings |
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67 | (2) |
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69 | (2) |
Part II: Careful with That Axe, Eugene |
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71 | (60) |
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Chapter 6: Using Software Instruments |
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73 | (18) |
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73 | (12) |
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Choosing a Software Instrument |
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74 | (2) |
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Switching a track's Software Instrument |
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76 | (2) |
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Playing the onscreen keyboard |
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78 | (1) |
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Playing the MidiKeys keyboard |
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79 | (2) |
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Using a MIDI keyboard or instrument |
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81 | (4) |
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Setting Instrument Effects |
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85 | (3) |
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Saving Your Software Instrument |
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88 | (3) |
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Chapter 7: Using Real Instruments |
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91 | (20) |
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The Limitations of Audio Input |
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92 | (1) |
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Connecting Instruments and Microphones |
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93 | (9) |
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Setting up a mixer or audio interface |
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95 | (5) |
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100 | (2) |
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Choosing a Real Instrument Sound |
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102 | (2) |
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Changing Real Instrument Effects |
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104 | (4) |
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Saving Real Instrument Settings |
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108 | (3) |
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Chapter 8: Recording and Performing |
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111 | (20) |
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Setting the Tempo and Time Signature |
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112 | (5) |
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Setting the metronome and Count In |
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112 | (1) |
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Changing the time signature |
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112 | (4) |
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116 | (1) |
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117 | (6) |
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Recording into a cycle region |
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119 | (3) |
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122 | (1) |
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Performing with GarageBand Effects |
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123 | (10) |
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Using the simulated amplifier and effects |
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124 | (4) |
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128 | (3) |
Part III: In Search of the Lost Chord |
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131 | (54) |
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133 | (12) |
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133 | (2) |
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Editing Real Instrument Tracks |
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135 | (4) |
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Copying and pasting regions |
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136 | (1) |
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Transposing Real Instrument loops |
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137 | (1) |
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137 | (2) |
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Editing Software Instrument Tracks |
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139 | (6) |
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139 | (1) |
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Fixing the timing of notes |
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140 | (1) |
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141 | (1) |
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Editing controller information |
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142 | (3) |
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Chapter 10: All About Effects |
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145 | (26) |
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Setting Effects for Tracks |
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146 | (5) |
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Setting effects for a single track |
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147 | (2) |
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Setting effects for all tracks |
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149 | (2) |
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151 | (4) |
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Software Instrument Generator |
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151 | (1) |
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151 | (4) |
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155 | (4) |
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156 | (1) |
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157 | (1) |
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158 | (1) |
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159 | (8) |
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159 | (4) |
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163 | (4) |
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Saving and Deleting Effect Presets |
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167 | (4) |
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167 | (1) |
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168 | (3) |
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Chapter 11: Mixing and Shaping the Sound |
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171 | (14) |
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171 | (2) |
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172 | (1) |
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172 | (1) |
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Setting the Track Pan Position and Volume |
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173 | (4) |
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174 | (1) |
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Adjusting the track volume level |
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174 | (1) |
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Fine-tuning the track volume curve |
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175 | (2) |
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Setting the Master Volume |
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177 | (2) |
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Adjusting the master volume level |
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177 | (1) |
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Fine-tuning the master volume curve |
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178 | (1) |
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179 | (8) |
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Exporting the entire song |
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180 | (1) |
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Setting and exporting a cycle region |
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180 | (2) |
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Exporting tracks for use in other programs |
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182 | (1) |
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Exporting and using a mixdown track |
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183 | (2) |
Part IV: Sympathy for the Demo |
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185 | (58) |
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Chapter 12: Managing Your Music |
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187 | (20) |
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188 | (3) |
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189 | (1) |
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190 | (1) |
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Editing Song Information in iTunes |
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191 | (4) |
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Organizing Playlists in iTunes |
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195 | (5) |
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Creating playlists of albums |
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198 | (1) |
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199 | (1) |
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Copying iTunes Songs and Playlists |
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200 | (3) |
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201 | (1) |
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202 | (1) |
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203 | (4) |
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Chapter 13: Putting Songs on an iPod |
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207 | (18) |
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Connecting and Setting Up an iPod |
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209 | (3) |
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Adding Songs from i'Tunes |
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212 | (8) |
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212 | (4) |
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216 | (1) |
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Updating by sclcctcd songs |
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217 | (1) |
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218 | (2) |
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Using an iPod as a Hard Drive |
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220 | (5) |
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Chapter 14: Burning CDs and Sharing Music |
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225 | (18) |
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Choosing Standard Audio or MP3 |
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226 | (1) |
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227 | (2) |
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229 | (3) |
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Setting gaps and sound check |
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229 | (2) |
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Setting the format and recording speed |
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231 | (1) |
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232 | (2) |
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On a LAN You Can Share Forever |
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234 | (3) |
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Copying Songs to Other Computers |
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237 | (5) |
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Copying files to other Macs on a LAN |
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237 | (3) |
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We can share with Windows, we can copy files |
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240 | (2) |
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FTP for High-Octane File Transfer on the Net |
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242 | (1) |
Part IV: When the Music's Over |
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243 | (76) |
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Chapter 15: Making Slideshows and Videos |
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245 | (40) |
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245 | (11) |
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247 | (2) |
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249 | (1) |
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Changing the photo order of your slideshow |
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250 | (1) |
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Changing the slideshow settings |
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251 | (2) |
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253 | (1) |
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253 | (3) |
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256 | (16) |
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A quick tour of the iMovie interface |
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257 | (2) |
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Accessing your iTunes music library |
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259 | (1) |
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259 | (2) |
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Arranging video in the timeline |
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261 | (2) |
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Editing the sound in a clip |
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263 | (3) |
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Adding a music soundtrack |
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266 | (2) |
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Synchronizing sound and video |
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268 | (1) |
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Adding titles and credits |
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268 | (4) |
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272 | (13) |
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Exporting slideshows with music |
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272 | (2) |
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274 | (3) |
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Publishing QuickTime on the Web |
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277 | (8) |
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Chapter 16: Putting Music Videos on DVD |
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285 | (18) |
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285 | (13) |
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Importing movies and slideshows |
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288 | (6) |
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Creating menus and buttons |
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294 | (3) |
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297 | (1) |
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Putting Song Projects on DVD |
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298 | (1) |
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298 | (5) |
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Chapter 17: Tips and Resources |
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303 | (8) |
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303 | (3) |
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GarageBand and iLife Information |
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306 | (1) |
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307 | (1) |
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Downloadable Loops and Effects |
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308 | (1) |
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308 | (3) |
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Chapter 18: Twenty GarageBand Questions from Aunt Estelle |
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311 | (8) |
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How do I export the performances I created in GarageBand so I can use them with other MIDI apps, or other studio hardware? |
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312 | (1) |
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Can I at least import a MIDI file? |
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312 | (1) |
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GarageBand keeps stopping in the middle of a recording, telling me it can't continue. |
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312 | (1) |
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I'm trying to record a Real Instrument, but I can't get any sound. |
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313 | (1) |
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313 | (1) |
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313 | (1) |
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313 | (1) |
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I've changed the tempo of the song, and now a lot of my tracks are out of sync with each other. |
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313 | (1) |
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I'm using GarageBand to convert some of my LPs to digital, but the sound is all muted and junky. |
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314 | (1) |
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If I've created a song using GarageBand's built-in loops, can I publish and sell it? |
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314 | (1) |
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I'm trying to line up a clip precisely, but dragging it around with the mouse I'm always just a little bit early or late. Can't I just tell GarageBand that this clip should come in at one minute, thirty-four point seven seconds? |
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314 | (1) |
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When are you going to learn a proper instrument? |
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314 | (1) |
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Can I create my own loops? |
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314 | (1) |
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Is there a way I can turn off my Mac's fan so everything's nice and quiet when I record Real Instrument tracks? |
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315 | (1) |
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Hey, it says here that GarageBand has more than a thousand built-in loops. But I've never seen more than a handful, and sonic don't do anything when I click 'em! |
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315 | (1) |
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Wow! Using these loops, I can create music that sounds exactly' like Philip Glass! |
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316 | (1) |
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You're not embarrassed to be seen playing an instrument that looks like it plays "Pop Goes The Weasel" when you turn a little crank on the side of it? I have an old Flying V I can loan you, you know. |
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316 | (1) |
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I'm all finished recording and mixing, but now that I've exported the song to iTunes it sounds...unprofessional. Or something. |
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316 | (1) |
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How do I lock a track so that my collaborator (or even I myself!) can't ruin it by continuing to change things around? |
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317 | (1) |
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Two words, Andy: "Tiny Tim." |
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317 | (2) |
Index |
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319 | |