Foreword |
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viii | |
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Acknowledgments |
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xi | |
About This Book |
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xii | |
Note on the Translation |
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xiv | |
Introduction |
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1 | (1) |
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The Aesthetic Dimension Between Subject and Object |
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1 | (3) |
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The Meaning of ``Aesthetic'' |
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4 | (4) |
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8 | (5) |
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The ``Moments'' of a Judgment of Taste |
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13 | (6) |
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Disinterestedness: First Moment |
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19 | (8) |
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Disinterestedness as a Subjective Criterion |
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19 | (4) |
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Three Kinds of Satisfaction: Agreeable, Beautiful, Good |
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23 | (4) |
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Universality: Second Moment |
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27 | (27) |
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The Argument from Self-Reflection: Private, Public, Universal |
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27 | (4) |
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31 | (4) |
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A Case of Transcendental Logic |
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35 | (4) |
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Singular ``but'' Universal |
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39 | (7) |
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46 | (8) |
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Purposiveness: Third Moment |
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54 | (23) |
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Purpose without Will, Purposiveness without Purpose |
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54 | (6) |
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Purposiveness and Form: Charm versus Euler |
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60 | (5) |
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Of ``Greatest Importance'': Beauty and Perfection |
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65 | (4) |
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Beauty: Free, Dependent, and Ideal |
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69 | (8) |
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77 | (17) |
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77 | (4) |
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Kant's Interpretation of the sensus communis |
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81 | (5) |
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86 | (8) |
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Fine Art, Nature, and Genius |
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94 | (12) |
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Fine Art and Why It Must Seem like Nature |
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94 | (4) |
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98 | (3) |
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Genius and Aesthetic Ideas |
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101 | (5) |
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106 | (22) |
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106 | (7) |
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Beauty as the Symbol of Morality |
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113 | (7) |
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The Analytic, the Dialectic, and the Supersensible |
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120 | (8) |
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128 | (13) |
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Can Kant's Aesthetics Account for the Ugly? |
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128 | (5) |
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Can there be Beauty and Genius in Mathematics? |
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133 | (8) |
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141 | (8) |
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141 | (1) |
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142 | (4) |
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146 | (3) |
Glossary |
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149 | (8) |
Bibliography |
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157 | (14) |
Index |
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171 | |