Iris Murdoch, Seccond Edition The Retrospective Fiction

by
Edition: 2nd
Format: Paperback
Pub. Date: 2004-11-27
Publisher(s): Palgrave Macmillan
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Summary

Bran Nicol traces the preoccupation in Murdoch's fiction with the way the past makes its mark upon us, haunting us and eluding our attempts to grasp it. This argument was given an extra resonance by the death of Murdoch after Alzheimer's disease in 1999, when the first edition was published. This new edition includes detailed readings of novels not discussed in the original (The Bell, The Sacred and Profane Love Machine, and The Philosopher's Pupil) and includes a new preface, an updated bibliography and three new chapters covering Murdoch's most important and popular novels, considering in more depth her relationship with the dominant literary and intellectual currents of her time.

Author Biography

Bran Nicol is Senior Lecturer in English Literature at the University of Portsmouth.

Table of Contents

List of Abbreviations
ix
Acknowledgements xi
Preface to the Second Edition xii
Preface to the First Edition xv
Revisiting the Sublime and the Beautiful: Iris Murdoch's Realism
1(28)
Murdoch's `aesthetic of the sublime': realism and the modernist inheritance
4(6)
Putting the real into realism: philosophy and fiction
10(8)
Liberal postmodernism/postmodern liberalism
18(6)
`A sort of post-Freudian Henry James': Murdoch and the liberal soul
24(5)
The Insistence of the Past
29(20)
Nostalgia: The Book and the Brotherhood
34(4)
Jackson's Dilemma: making sense of the past
38(3)
Redemption, spiritual and secular: A Word Child and The Good Apprentice
41(8)
Narrative as Redemption: The Bell
49(15)
`Outside inwards'/`inside outwards'
51(3)
`We never discuss our past lives here': the rational and the uncanny
54(3)
Narrative acts
57(7)
Author and Hero: Murdoch's First-Person Retrospective Novels
64(23)
Dramatizing narrators
67(8)
Writing in retrospect
75(7)
Recovering the past: two kinds of retrospective novel
82(5)
Reading Past Truth: Under the Net and The Black Prince
87(21)
`Some things can't be unravelled...': reading Under the Net
89(6)
The framing of Bradley Pearson: The Black Prince
95(13)
The Writing Cure: A Severed Head and A Word Child
108(22)
The textual uncanny: A Severed Head
113(8)
Narrative exchange: A Word Child
121(6)
`Ambiguously ever after'
127(3)
The Ambivalence of Coming Home: The Italian Girl and The Sea, the Sea
130(20)
A strange memory: The Italian Girl
131(5)
A demon-ridden pilgrimage: The Sea, the Sea
136(9)
Murdoch's ambivalence
145(5)
Philosophy's Dangerous Pupil: Metaphysics as a Guide to Morals, Derrida and The Philosopher's Pupil
150(17)
Philosophy and literature: Murdoch and Derrida
154(7)
Philosophical anguish: The Philosopher's Pupil
161(4)
The currency of ideas
165(2)
Postscript: Reading Iris Murdoch
167(12)
Authorship as masochism
170(5)
Monsters and mothers: The Sacred and Profane Love Machine
175(4)
Notes 179(11)
Select Bibliography and References 190(7)
Index 197

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