
Literary Art in Digital Performance Case Studies in New Media Art and Criticism
by Ricardo, Francisco J.-
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Summary
Author Biography
Table of Contents
Introduction Juncture and Form in New Media Criticism | p. 1 |
What is and Toward What End Do We Read Digital Literature? | p. 10 |
Post-Chapter Dialogue | p. 17 |
List(en)ing Post | p. 22 |
Post-Chapter Dialogue | p. 35 |
Strickland and Lawson Jaramillo's slippingglimpse: Distributed Cognition at/in Work | p. 38 |
Post-Chapter Dialogue | p. 48 |
Reading the Discursive Spaces of Text Rain, Transmodally | p. 52 |
Kissing the Steak: The Poetry of Text Generators | p. 69 |
Post-Chapter Dialogue | p. 80 |
Geopoetics: Aesthetic Experience in the Works of Stefan Schemat and Teri Rueb | p. 84 |
Post-Chapter Dialogue | p. 106 |
Self, Setting, and Situation in Second Life | p. 109 |
Post-Chapter Dialogue | p. 140 |
Looking behind the Facade: Playing and Performing an Interactive Drama | p. 143 |
Post-Chapter Dialogue | p. 162 |
Artificial Poetry: On Aesthetic Perception in Computer-Aided Literature | p. 167 |
Post-Chapter Dialogue | p. 176 |
Screen Writing: A Practice-based, EuroRelative Introduction to Digital Literature and Poetics | p. 178 |
Post-Chapter Dialogue | p. 187 |
Index | p. 191 |
Table of Contents provided by Ingram. All Rights Reserved. |
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