Multimodality and Genre A Foundation for the Systematic Analysis of Multimodal Documents

by
Format: Hardcover
Pub. Date: 2008-05-15
Publisher(s): Palgrave Macmillan
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Summary

Analysing Multimodal Documents presents the first systematic, corpus-based, and theoretically rigorous approach to the description and analysis of multimodal documents. John Bateman introduces researchers and advanced students to a linguistically-based method of analysis that shows how different modes of expression-including language, rhetoric, images, typography, colour and space-go together to make up a document with a recognizable genre. The author draws upon both academic research and concrete experience of how designers and production teams put documents together.

Author Biography

JOHN BATEMAN is Professor of English Linguistics at the University of Bremen, Germany.

Table of Contents

List of Tablesp. ix
List of Figuresp. xi
Acknowledgementsp. xvii
Prefacep. xix
Introduction: Four Whys and a Howp. 1
Learning to walk: framing issues and analytic focusp. 3
Why multimodality?p. 3
Why 'documents'?p. 7
Why genre?p. 9
Why analysis?p. 11
How can we analyse multimodal documents?p. 13
An orientation for analysis: empirical linguisticsp. 14
A framework for empirical analysis: the GeM modelp. 15
Structure of the bookp. 19
Multimodal Documents and their Componentsp. 21
Starting points: how to find document parts?p. 24
The page as an object of interpretationp. 27
Interpretation within document designp. 28
Multimodal linguisticsp. 38
The page as object of perceptionp. 57
Page as signalp. 65
The Page as object of productionp. 74
Describing a page for designp. 75
Describing a page for renderingp. 85
Producing a page from intentions: automatic document generationp. 91
Combining viewpoints on document partsp. 103
The GeM Model: Treating the Multimodal Page as a Multilayered Semiotic Artefactp. 107
The GeM Model: the base layerp. 110
The GeM presentation layers: the layout basep. 115
Layout segmentation: identification of layout unitsp. 116
Realisation informationp. 117
Layout structurep. 121
A more complicated example of layout analysisp. 129
The parts of the Louvrep. 130
The layout of the Louvrep. 134
Conclusionp. 142
The Rhetorical Organisation of Multimodal Documentsp. 143
Rhetoric and multimodal documents: our starting pointsp. 144
A brief introduction to Rhetorical Structure Theoryp. 146
The RST rhetorical relationsp. 147
The RST rhetorical structurep. 150
The move to multimodal RST: the GeM rhetorical layerp. 151
Andre's extension of RSTp. 152
Problems with traditional multimodal RSTp. 155
Multimodal relationals: subnuclear elaborationp. 160
Example analyses: rhetorical relations between layout unitsp. 163
Mismatches between layout structure and intended rhetorical structurep. 166
Explaining how to use a telephonep. 171
Conclusionp. 174
Multimodal Documents and Genrep. 177
Perspectives on genrep. 183
Genre as social semioticp. 184
Genre as social actionp. 188
Genre: the need for fine-grained descriptionsp. 194
The move to multimodal genrep. 196
Multimodal moves within linguistic and rhetorical approaches to genrep. 197
Moving in on genre from the visualp. 201
Cybergenres: a brief critiquep. 209
Representing genrep. 217
Genre typologyp. 219
Genre topologyp. 223
The multimodal genre spacep. 225
Illustrations of genre: tracking changep. 229
Field guides across timep. 229
Wildlife fact files across timep. 240
Discussion and conclusionp. 246
Building Multimodal Document Corpora: the State of the Artp. 249
Corpus-based linguisticsp. 250
The origin and representation of annotated corporap. 252
Annotated corpora: early daysp. 252
Applying XML to corpus designp. 254
Annotation problems with complex datap. 260
The move to multimodal corporap. 264
The GeM model as a corpus annotation schemep. 267
Conclusions and recommendationsp. 272
Conclusions and Outlook: What Next?p. 273
Bibliographyp. 279
Author Indexp. 301
Subject Indexp. 307
Table of Contents provided by Ingram. All Rights Reserved.

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