Palaeolithic Cave Art at Creswell Crags in European Context

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Format: Hardcover
Pub. Date: 2007-05-24
Publisher(s): Oxford University Press
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Summary

Cave art is a subject of perennial interest among archaeologists. Until recently it was assumed that it was largely restricted to southern France and northern Iberia, although in recent years new discoveries have demonstrated that it originally had a much wider distribution. The discovery in 2003 of the UK's first examples of cave art, in two caves at Creswell Crags on the Derbyshire/Nottinghamshire border, was the most surprising illustration of this. The discoverers (the editors of the book) brought together in 2004 a number of Palaeolithic archaeologists and rock art specialists from across the world to study the Creswell art and debate its significance, and its similarities and contrasts with contemporary Late Pleistocene ("Ice Age") art on the Continent. This comprehensively illustrated book presents the Creswell art itself, the archaeology of the caves and the region, and the wider context of the Upper Palaeolithic era in Britain, as well as a number of up-to-date studies of Palaeolithic cave art in Spain, Portugal, France, and Italy which serve to contextualize the British examples.

Author Biography


Paul Pettitt is Lecturer in Human Origins, University of Sheffield. Paul Bahn is an independent researcher. Sergio Ripoll is Lecturer in Archaeology at the Spanish Open University (UNED) in Madrid.

Table of Contents

List of Platesp. ix
List of Illustrationsp. x
List of Tablesp. xvi
The Historical Background to the Discovery of Cave Art at Creswell Cragsp. 1
The Palaeolithic Rock Art of Creswell Crags: Prelude to a Systematic Studyp. 14
Verification of the Age of the Palaeolithic Cave Art at Creswell Cragsp. 34
3D Laser Scanning at Church Hole, Creswell Cragsp. 46
Zoological Perspectives on the Late Glacialp. 53
Cave Archaeology and Palaeontology in the Creswell Regionp. 61
The Stone Age Archaeology of Church Hole, Creswell Crags, Nottinghamshirep. 71
Cultural Context and Form of Some of the Creswell Images: An Interpretative Modelp. 112
The Engravings of Gouy: France's Northernmost Decorated Cavep. 140
Palaeolithic Art in Isolation: The Case of Sicily and Sardiniap. 194
The Horse in the Palaeolithic Parietal Art of the Quercy: Outline of a Stylistic Studyp. 207
A Topographical Approach to Parietal Figures: The Monumental Sculptures of the Roc-aux-Sorciers (Vienne, France) Produced in Daylight at the Back of a Rockshelter and on its Ceilingp. 229
Dating Magdalenian Art in North Spain: The Current Situationp. 247
Rock Art and the Côa Valley Archaeological Park: A Case Study in the Preservation of Portugal's Prehistoric Rupestral Heritagep. 263
Rewriting the History Books: The Magdalenian Art of Creswell Cragsp. 280
Indexp. 287
Table of Contents provided by Ingram. All Rights Reserved.

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