
Postnational Musical Identities Cultural Production, Distribution, and Consumption in a Globalized Scenario
by Corona, Ignacio; Madrid, Alejandro L.; Ashby, Arved; Dennis, Chris; Knights, Vanessa; Lopes, Denilson; Loza, Steven; Magaldi, Cristina; Party, Daniel; Schelonka, Greg; Shank, Barry; Simonett, Helena-
eCampus.com Device Compatibility Matrix
Click the device icon to install or view instructions
Rent Book
Rent Digital
New Book
We're Sorry
Sold Out
Used Book
We're Sorry
Sold Out
How Marketplace Works:
- This item is offered by an independent seller and not shipped from our warehouse
- Item details like edition and cover design may differ from our description; see seller's comments before ordering.
- Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
- Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
- Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.
Summary
Table of Contents
Postnational Perspectives in Music Scholarship | |
Introduction: The Postnational Turn in Music Scholarship and Music Marketing | p. 3 |
Nationalist and Postnationalist Perspectives in American Musicology | p. 23 |
Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967 | p. 45 |
A Transnational Caribbean | |
The Miamization of Latin-American Pop Music | p. 65 |
Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry | p. 81 |
Across the U.S.-Mexico Border | |
Ideology, Flux, and Identity in Tijuana's Nor-tec Music | p. 99 |
Quest for the Local: Building Musical Ties between Mexico and the United States | p. 119 |
Assimilation, Reclamation, and Rejection of the Nation-State Chicano Musicians | p. 137 |
RockIn' la Frontera: Mexican Rock, Globalization, and National Identity | p. 151 |
South-American Connections | |
Before and After Samba: Modernity, Cosmopolitanism, and Popular Music in Rio de Janeiro at the Beginning and End of the Twentieth Century | p. 173 |
The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity | p. 185 |
Transnational Soundscapes:Ambient Music and Bossatronica | p. 209 |
Selected Discography | p. 219 |
Selected Bibliography | p. 221 |
Index | p. 229 |
Notes on Contributors | p. 237 |
Table of Contents provided by Blackwell. All Rights Reserved. |
An electronic version of this book is available through VitalSource.
This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.
By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.
Digital License
You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.
More details can be found here.
A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.
Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.
Please view the compatibility matrix prior to purchase.