Introduction |
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ix | |
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Preliminary Remarks |
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xiii | |
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Greetings |
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xix | |
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Acknowledgments |
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xxi | |
Abbreviations |
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xxiii | |
``John Butler Yeats at the Easel'' |
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xxvii | |
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Section One The Yeats Family |
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3 | (8) |
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The Letters of John Butler Yeats: A Sampler |
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11 | (24) |
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John Butler Yeats and the Calumet |
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35 | (12) |
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``Every Paddler's Heritage'': W.B. Yeats, Hans Christian Andersen, Susan Pollexfen Yeats, S.T. Coleridge and Children's Stories |
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47 | (54) |
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W.B. Yeats, J.B. Yeats, and ``Art without Imitation'' |
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101 | (14) |
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``Beautiful Lofty Things'' |
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115 | (8) |
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Creating Cuala: Lily and Lollie Yeats and the Cuala Industries |
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123 | (26) |
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Vision and Narrative in Jack B. Yeats's The Amaranthers |
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149 | (22) |
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``Drawing into Oil'': John and Jack B. Yeats |
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171 | (22) |
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Section Two Jeanne Robert Foster |
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John Butler Yeats's Poetic Advice to Jeanne Robert Foster |
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193 | (30) |
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``To Friends: For Jeanne Robert Foster'' |
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223 | (2) |
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``... Unquestionably the loveliest woman ever'' |
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225 | (4) |
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Jeanne Robert Foster: Muse to the Muses |
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229 | (8) |
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The Excitement of an Afternoon Call: A Move Toward the Modern Voice in the Poetry of Jeanne Robert Foster |
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237 | (20) |
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Section Three Art and Artists |
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John Quinn's Fight for Art |
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257 | (8) |
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Pilgrim Father, Native Son: John Butler Yeats, John Sloan, and the Making of a Friendship in New York City, 1909--1922 |
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265 | (66) |
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Paul Swan: The Art of ``The Most Beautiful Man in the World'' |
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331 | (20) |
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Section Four Writers and Dreamers, then and now |
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Ex-``Pathriots'': Florence Farr Emery and John Butler Yeats |
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351 | (24) |
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Van Wyck Brooks and His Maestro, John Butler Yeats, or, The American Literary Renaissance |
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375 | (38) |
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Ezra Pound as ``Fictional'' Character in Richard Stern's Stitch |
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413 | (20) |
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Derek Mahon's JBY and the Genealogy of the Exile |
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433 | (14) |
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John Butler Yeats [as written to William Butler Yeats] |
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447 | (34) |
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``In Memory of John Butler Yeats'' |
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481 | (2) |
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About the Editor |
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483 | (2) |
Contributors |
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485 | (6) |
Index |
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491 | |