The Sense of Order A Study in the Psychology of Decorative Art

by ; ;
Edition: 2nd
Format: Paperback
Pub. Date: 1994-01-01
Publisher(s): Phaidon Press
List Price: $37.82

Rent Book

Select for Price
There was a problem. Please try again later.

New Book

We're Sorry
Sold Out

Used Book

We're Sorry
Sold Out

eBook

We're Sorry
Not Available

How Marketplace Works:

  • This item is offered by an independent seller and not shipped from our warehouse
  • Item details like edition and cover design may differ from our description; see seller's comments before ordering.
  • Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
  • Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
  • Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.

Summary

A comprehensive survey of the history and theory of decorative art. Otherork by the author includes "The Story of Art" and "Art and Illusion: A Studyn the Psychology of Pictorial Representation".

Author Biography

Sir Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art - first published 50 years ago and now in its 16th edition - is one of the most influential books ever written about art. His books further include Art and Illusion(1979) and The Preference for the Primitive (2002), as well as a total of 11 volumes of collected essays and reviews.

Gombrich was born in Vienna in 1909 and died in London in November 2001. He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honours, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes.

Gifted with a powerful mind and prodigious memory, he was also an outstanding communicator, with a clear and forceful prose style. His works are models of good art-historical writing, and reflect his humanism and his deep and abiding concern with the standards and values of our cultural heritage.

Table of Contents

Preface vii
Introduction Order and Purpose in Nature 1(16)
Order and Orientation
The Gestalt Theory
The Patterns of Nature
Man-made Orders
The Geometry of Assembly
Monotony and Variety
Order and Movement
Play and Art
Part One: Decoration: Theory and Practice
Issues of Taste
17(16)
The Moral Aspect
Classic Simplicity
Polemics around the Rococo
Design and Fashion
Ornament as Art
33(30)
The Menace of the Machine
Pugin and the Reform of Design
John Ruskin and Expressionism
Gottfried Semper and the Study of Function
Owen Jones and the Study of Form
The Japanese
The New Status of Design
Adolf Loos: `Ornament and Crime'
Ornament versus Abstraction
The Challenge of Constraints
63(32)
Realities of Pattern-Making
The Mastery of the Material
Laws and Orders
The Limits of Foresight
Tools and Samples
Part Two: The Perception of Order
The Economy of Vision
95(22)
Varieties of Vision
The Selective Focus
Loss of Definition
Testimonies of Art
Visual Information
Expectation and Extrapolation
The Probable and the Surprising
Breaks as Accents
Order and Survival
Global Perception
Towards an Analysis of Effects
117(32)
The Limitations of Aesthetics
Restlessness and Repose
Balance and Instability
Waves and Vortices
From Form to Meaning
Colour
Representation
Form and Purpose
Shapes and Things
149(22)
The Kaleidoscope
Repetition and Meaning
`Fields of Force'
Projection and Animation
Decoration
Modifying the Body
Part Three: Psychology and History
The Force of Habit
171(24)
Perception and Habit
Mimicry and Metaphor
The Language of Architecture
The Etymology of Motifs
Invention or Discovery?
The Psychology of Styles
195(22)
Riegl's Perceptual Theory of Style
The Pervasiveness of Style
Heinrich Wolfflin
Focillon and the `Life of Forms'
`Purity' and `Decadence'
The Logic of Situations
The Rococo: Mood and Movement
Designs as Signs
217(34)
Motifs and Meanings
Marks of Distinction
Heraldic Symbolism
Symbol and Setting
The Transformation of the Flourish
The Symbolic Potential
The Sign of the Cross
The Edge of Chaos
251(34)
A Zone of Licence
Protective Spells
`A Great Dragon Force'
The Elusive Mask
The Migration of Monsters
Domesticated Demons
The Revival of the Grotesque
The Dissolution of Form
Epilogue Some Musical Analogies
285(22)
The Claims of Music
The Rivalry of the Arts
Song and Dance
Nature and Artifice
Form, Rhyme and Reason
Elementary Effects
From Fields of Force to Worlds of Sound
New Media
Notes 307(18)
Plates 325(64)
Full Titles of Books Cited 389(2)
List of Illustrations 391(10)
Index 401

An electronic version of this book is available through VitalSource.

This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.

By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.

Digital License

You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.

More details can be found here.

A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.

Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.

Please view the compatibility matrix prior to purchase.