|
|
xix | |
Preface |
|
xxi | |
Acknowledgements |
|
xxii | |
Introduction |
|
xxv | |
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|
|
Angela Leighton |
|
xxxv | |
Note on the text |
|
xli | |
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Felicia Hemans (1793--1835) |
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1 | (19) |
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4 | (1) |
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5 | (1) |
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To a Wandering Female Singer |
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6 | (1) |
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7 | (1) |
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8 | (3) |
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11 | (2) |
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Evening Prayer, at a Girls' School |
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13 | (1) |
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14 | (1) |
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15 | (1) |
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16 | (2) |
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The Chamois Hunter's Love |
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18 | (1) |
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19 | (1) |
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19 | (1) |
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20 | (5) |
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22 | (2) |
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24 | (1) |
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Maria Jane Jewsbury (1800--1833) |
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25 | (11) |
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30 | (2) |
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32 | (1) |
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33 | (1) |
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34 | (2) |
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`My Heart in the kitchen, my heart is not here' |
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36 | (1) |
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Caroline Clive (`V') (1801--1873) |
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36 | (25) |
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38 | (1) |
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39 | (1) |
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L.E.L. (Letitia Elizabeth Landon) (1802--1838) |
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39 | (3) |
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42 | (1) |
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Stanzas on the Death of Mrs. Hemans |
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43 | (2) |
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45 | (10) |
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55 | (1) |
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The Dying Child from Fragments |
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56 | (5) |
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58 | (1) |
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58 | (1) |
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58 | (1) |
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58 | (1) |
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59 | (1) |
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59 | (1) |
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59 | (1) |
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60 | (1) |
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60 | (1) |
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Song: `Farewell-and never think of me' |
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60 | (1) |
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Sara Coleridge (1802--1852) |
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61 | (2) |
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` ``Father no amaranths e'er shall wreathe my brow'' ' |
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62 | (1) |
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`Blest is the tarn which towering cliffs o'ershade' |
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62 | (1) |
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Elizabeth Barrett Browning (1806--1861) |
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63 | (66) |
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67 | (1) |
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68 | (2) |
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The Romance of the Swan's Nest |
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70 | (4) |
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74 | (1) |
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74 | (1) |
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To George Sand: A Recognition |
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75 | (1) |
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75 | (5) |
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The Runaway Slave at Pilgrim's Point |
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80 | (8) |
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88 | (1) |
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from Sonnets from the Portuguese |
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88 | (3) |
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`Thou hast thy calling to some palace-floor' IV |
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90 | (1) |
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`I Lift my heavy heart up solemnly' V |
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90 | (1) |
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`And wilt thou have me fashion into speech' XIII |
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90 | (1) |
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`How do I love thee Let me count the ways' XLIII |
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91 | (1) |
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91 | (26) |
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92 | (19) |
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111 | (6) |
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from A Curse for a Nation |
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117 | (2) |
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119 | (3) |
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122 | (2) |
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The Best Thing in the World |
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124 | (1) |
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124 | (2) |
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126 | (3) |
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Helen Dufferin (1807--1867) |
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129 | (5) |
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131 | (1) |
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132 | (2) |
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Caroline Norton (1808--1877) |
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134 | (12) |
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136 | (3) |
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Obscurity of Woman's Worth |
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139 | (1) |
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Sonnet VII: `Like an enfranchised bird, who wildly springs' |
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139 | (1) |
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140 | (2) |
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from A Voice from the Factories |
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142 | (4) |
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Frances Anne Kemble (1809--1893) |
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146 | (4) |
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148 | (1) |
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Lines: On Reading with Difficulty Some of Schiller's Early Love Poems |
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148 | (1) |
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Sonnet: `If there were any power in human love' |
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149 | (1) |
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149 | (1) |
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Charlotte Bronte (1816--1855) |
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150 | (17) |
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Young Man Naughty's Adventure |
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155 | (1) |
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156 | (1) |
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157 | (1) |
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`Obscure and little seen my way' |
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158 | (1) |
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`Is this my tomb, this humble stone' |
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158 | (2) |
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160 | (1) |
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`Like wolf--and black bull or goblin hound' |
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161 | (1) |
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161 | (4) |
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165 | (1) |
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On the Death of Emily Jane Bronte |
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166 | (1) |
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On the Death of Anne Bronte |
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167 | (1) |
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167 | (4) |
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To George Sand on her Interview with Elizabeth Barrett Browning |
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169 | (2) |
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Frances Brown (E) (1816--1879) |
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171 | (3) |
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from the Australian Emigrant |
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173 | (1) |
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174 | (21) |
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177 | (1) |
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178 | (1) |
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179 | (1) |
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`'Tis Well to Wake the Theme of Love' |
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180 | (1) |
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181 | (1) |
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Song of the Imprisoned Bird |
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181 | (2) |
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183 | (1) |
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184 | (1) |
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185 | (1) |
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186 | (2) |
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188 | (1) |
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189 | (2) |
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191 | (1) |
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Lines: Suggested by the Song of a Nightingale |
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192 | (2) |
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To the Late William Jerdan |
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194 | (1) |
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194 | (1) |
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Emily Jane Bronte (1818--1848) |
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195 | (19) |
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R. Alcona to J. Brenzaida |
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199 | (1) |
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`The night is darkening round me' |
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200 | (1) |
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`Why do I hate that lone green dell' |
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200 | (1) |
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`The linnet in the rocky dells' |
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201 | (1) |
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`Loud without the wind was roaring' |
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201 | (2) |
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`A little while, a little while' |
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203 | (2) |
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`Shall Earth no more inspire thee' |
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205 | (1) |
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`In summer's mellow midnight' |
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205 | (1) |
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`Riches I hold in light esteem' |
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206 | (1) |
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`Aye there it is It wakes tonight' |
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207 | (1) |
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`If grief for grief can touch thee' |
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207 | (1) |
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```Well, some may hate and some may scorn''' |
|
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208 | (1) |
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209 | (1) |
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210 | (1) |
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`O thy bright eyes must answer now' |
|
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211 | (1) |
|
`Ah why, because the dazzling sun' |
|
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212 | (1) |
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213 | (1) |
|
`Stanzas': `Often rebuked, yet always back returning' |
|
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214 | (1) |
|
Henrietta Tindal (1818--1879) |
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214 | (3) |
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215 | (1) |
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216 | (1) |
|
Cecil Frances Alexander (1818--1895) |
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217 | (2) |
|
`All things bright and beauteous' |
|
|
218 | (1) |
|
George Eliot (Mary Ann Evans) (1819--1880) |
|
|
219 | (30) |
|
Brother and Sister (Sonnets) |
|
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222 | (5) |
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227 | (9) |
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236 | (13) |
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249 | (7) |
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252 | (1) |
|
`My soul is awakened, my spirit is soaring' |
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253 | (1) |
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254 | (1) |
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255 | (1) |
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255 | (1) |
|
Menella Bute Smedley (1820--1877) |
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256 | (12) |
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257 | (1) |
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257 | (3) |
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260 | (1) |
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261 | (6) |
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267 | (1) |
|
Jean Ingelow (1820--1897) |
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268 | (7) |
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270 | (3) |
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273 | (1) |
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274 | (1) |
|
`Little Babe, while burns the west' |
|
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274 | (1) |
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Dora Greenwell (1821--1882) |
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275 | (16) |
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277 | (9) |
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286 | (1) |
|
To Elizabeth Barrett Browning, in 1851 |
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286 | (1) |
|
To Elizabeth Barrett Browning, in 1861 |
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287 | (1) |
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287 | (2) |
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289 | (1) |
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290 | (1) |
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291 | (1) |
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Jane Francesca Wilde (Speranza) (1821--1896) |
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291 | (8) |
|
Who Will Show Us Any Good |
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294 | (4) |
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Corrinne's Last Love-Song |
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298 | (1) |
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299 | (1) |
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299 | (1) |
|
Eliza Ogilvy (1822--1912) |
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299 | (4) |
|
A Natal Address to My Child, March 19th 1844 |
|
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300 | (1) |
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Newly Dead and Newly Born |
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301 | (1) |
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302 | (1) |
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Adelaide Anne Procter (1825--1864) |
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303 | (35) |
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306 | (1) |
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307 | (2) |
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309 | (7) |
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316 | (1) |
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317 | (1) |
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318 | (1) |
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319 | (12) |
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331 | (5) |
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336 | (1) |
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337 | (1) |
|
Emily Pfeiffer (1827--1890) |
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338 | (6) |
|
from From Out of the Night |
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339 | (3) |
|
Any Husband to Many a Wife |
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342 | (1) |
|
`Peace to the odalisque, the facile slave' |
|
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342 | (1) |
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343 | (1) |
|
Elizabeth Siddal (1829--1862) |
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344 | (3) |
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345 | (1) |
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346 | (1) |
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Bessie Rayner Parkes (1829--1925) |
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347 | (6) |
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348 | (1) |
|
To an Author who loved Truth More Than Fame |
|
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349 | (1) |
|
To Elizabeth Barrett Browning |
|
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350 | (1) |
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|
|
|
350 | (3) |
|
Christina G. Rossetti (1830--1894) |
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353 | (53) |
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357 | (1) |
|
Song: `When I am dead, my dearest' |
|
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357 | (1) |
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358 | (2) |
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360 | (1) |
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361 | (1) |
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361 | (1) |
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361 | (1) |
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362 | (1) |
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363 | (1) |
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363 | (2) |
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365 | (1) |
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365 | (1) |
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366 | (1) |
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366 | (2) |
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368 | (1) |
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368 | (1) |
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369 | (1) |
|
`The heart knoweth its own bitterness' |
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369 | (2) |
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371 | (1) |
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372 | (1) |
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373 | (4) |
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377 | (1) |
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|
378 | (12) |
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390 | (1) |
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391 | (2) |
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393 | (1) |
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393 | (1) |
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394 | (1) |
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395 | (1) |
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395 | (1) |
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396 | (1) |
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|
396 | (1) |
|
from Sing-Song: A Nursery Rhyme Book |
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397 | (1) |
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398 | (1) |
|
`A Pin has a head, but has no hair' |
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398 | (1) |
|
`Hopping frog, hop here and be seen' |
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398 | (1) |
|
`When fishes set umbrellas up' |
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398 | (1) |
|
`The peacock has a score of eyes' |
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399 | (1) |
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399 | (1) |
|
`Baby lies so fast asleep' |
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399 | (1) |
|
`A handy Mole who plied no shovel' |
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|
|
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399 | (1) |
|
Sonnet 26: `This Life is full of numbness and of balk' |
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400 | (1) |
|
Soeur Louise de la Misericorde (1674) |
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400 | (1) |
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401 | (5) |
|
Ellen Johnston (1835--1873) |
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406 | (8) |
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|
408 | (1) |
|
Lines: To a Young Gentleman of Surpassing Beauty |
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409 | (1) |
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410 | (1) |
|
Nelly's Lament for the Pirnhouse Cat |
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410 | (2) |
|
Lines to Ellen, the Factory Girl |
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412 | (1) |
|
An Address to Nature on its Cruelty |
|
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413 | (1) |
|
Frances Ridley Havergal (1836--1879) |
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414 | (3) |
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416 | (1) |
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417 | (1) |
|
Augusta Webster (1837--1894) |
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417 | (33) |
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419 | (5) |
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424 | (4) |
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428 | (5) |
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433 | (15) |
|
Sonnets from Mother and Daughter |
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|
|
`A Little Child she, half defiant came' |
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448 | (1) |
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448 | (1) |
|
`That some day Death who has us all for jest' |
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449 | (1) |
|
`There's one I miss. A little questioning maid' |
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449 | (1) |
|
`Since first my little one lay on my breast' |
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450 | (1) |
|
Harriet Hamilton King (1840--1920) |
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450 | (4) |
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451 | (1) |
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452 | (1) |
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|
453 | (1) |
|
Mathilde Blind (1841--1896) |
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454 | (18) |
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The Russian Student's Tale |
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456 | (4) |
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460 | (1) |
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|
461 | (1) |
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The Beautiful Beeshareen Boy |
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462 | (3) |
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On a Forsaken Lark's Nest |
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465 | (7) |
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465 | (4) |
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469 | (3) |
|
`Violet Fane' (1843--1905) |
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472 | (3) |
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472 | (2) |
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474 | (1) |
|
Caroline Lindsay (1844--1912) |
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475 | (2) |
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476 | (1) |
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476 | (1) |
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L. S. Bevington (1845--1895) |
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477 | (4) |
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479 | (1) |
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479 | (1) |
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480 | (1) |
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|
480 | (1) |
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|
481 | (1) |
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Emily Hickey (1845--1924) |
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|
481 | (6) |
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|
|
from Michael Villiers, Idealist |
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|
482 | (5) |
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|
483 | (4) |
|
Michael Field (Katherine Bradley, 1846--1914, and Edith Cooper, 1862--1913) |
|
|
487 | (22) |
|
`Maids, not to you my mind doth change' |
|
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490 | (1) |
|
`Come, Gorgo, put the rug in place' |
|
|
490 | (1) |
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|
491 | (1) |
|
`O Wind, thou hast thy kingdom in the trees' |
|
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492 | (1) |
|
`Ah, Eros doth not always smite' |
|
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493 | (1) |
|
`Sometimes I do despatch my heart' |
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493 | (1) |
|
`So jealous of your beauty' |
|
|
493 | (1) |
|
`Love rises up some days' |
|
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494 | (1) |
|
`Already to mine eyelids' shore' |
|
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495 | (1) |
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495 | (1) |
|
`I sing thee with the stock-dove's throat' |
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495 | (1) |
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496 | (1) |
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496 | (1) |
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`As two fair vessels side by side' |
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496 | (1) |
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497 | (1) |
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497 | (1) |
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497 | (1) |
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498 | (1) |
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498 | (1) |
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498 | (1) |
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499 | (1) |
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499 | (1) |
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`I love you with my life' |
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499 | (1) |
|
The Mummy Invokes his Soul |
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500 | (1) |
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500 | (1) |
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501 | (1) |
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501 | (1) |
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501 | (1) |
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502 | (1) |
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|
502 | (1) |
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|
502 | (1) |
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503 | (1) |
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503 | (1) |
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503 | (1) |
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504 | (1) |
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505 | (1) |
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|
505 | (1) |
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506 | (1) |
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`Beloved, my glory in thee is not ceased' |
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506 | (1) |
|
`She is singing to thee, Domine' |
|
|
506 | (1) |
|
`Loved, on a sudden thou didst come to me' |
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506 | (1) |
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507 | (1) |
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|
507 | (1) |
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508 | (1) |
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|
508 | (1) |
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|
508 | (1) |
|
Alice Meynell (1847--1922) |
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|
509 | (16) |
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511 | (1) |
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A Letter from a Girl to her own Old Age |
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512 | (1) |
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513 | (1) |
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514 | (1) |
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515 | (3) |
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518 | (2) |
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520 | (1) |
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520 | (1) |
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521 | (1) |
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521 | (1) |
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521 | (1) |
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522 | (1) |
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522 | (1) |
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523 | (1) |
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524 | (1) |
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|
524 | (1) |
|
May Probyn (dates unknown) |
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|
525 | (13) |
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|
526 | (3) |
|
`As the Flower of the Grass' |
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529 | (1) |
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530 | (1) |
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530 | (1) |
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531 | (1) |
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532 | (1) |
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|
532 | (1) |
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533 | (1) |
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|
534 | (1) |
|
`More than they that Watch for the Morning' |
|
|
534 | (1) |
|
Rondelet: ` ``Which way he went'' ' |
|
|
535 | (1) |
|
Rondelet: `Say what you please' |
|
|
535 | (1) |
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|
535 | (2) |
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|
535 | (1) |
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|
536 | (1) |
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536 | (1) |
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536 | (1) |
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536 | (1) |
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537 | (1) |
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|
537 | (1) |
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|
537 | (1) |
|
|
537 | (1) |
|
Mary F. Robinson (1857--1944) |
|
|
538 | (20) |
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|
539 | (1) |
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|
540 | (1) |
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|
541 | (1) |
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|
541 | (1) |
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|
542 | (1) |
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|
543 | (1) |
|
Song: `Oh for the wings of a dove' |
|
|
544 | (1) |
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|
544 | (2) |
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|
546 | (1) |
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|
546 | (1) |
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|
547 | (1) |
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|
547 | (2) |
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549 | (2) |
|
|
551 | (1) |
|
|
552 | (1) |
|
|
552 | (1) |
|
|
553 | (1) |
|
|
554 | (1) |
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|
554 | (3) |
|
|
557 | (1) |
|
|
557 | (1) |
|
Constance Naden (1858--1889) |
|
|
558 | (13) |
|
|
560 | (1) |
|
The Pantheist's Song of Immortality |
|
|
560 | (2) |
|
|
562 | (1) |
|
|
563 | (1) |
|
|
564 | (1) |
|
|
565 | (1) |
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|
565 | (2) |
|
|
567 | (1) |
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|
568 | (2) |
|
|
570 | (1) |
|
|
570 | (1) |
|
|
571 | (10) |
|
Song: `Oh, baby, baby, baby dear' |
|
|
573 | (1) |
|
|
573 | (1) |
|
|
574 | (1) |
|
|
575 | (1) |
|
|
576 | (1) |
|
|
576 | (1) |
|
|
577 | (1) |
|
|
578 | (2) |
|
A Great Industrial Centre |
|
|
580 | (1) |
|
|
581 | (8) |
|
|
|
|
|
|
582 | (1) |
|
|
583 | (2) |
|
A Ballad of the Were-Wolf |
|
|
585 | (1) |
|
|
586 | (1) |
|
|
587 | (1) |
|
|
588 | (1) |
|
|
589 | (1) |
|
|
589 | (21) |
|
|
591 | (7) |
|
|
598 | (4) |
|
|
602 | (2) |
|
|
604 | (1) |
|
Epitah (On a Commonplace Person who Died in Bed) |
|
|
605 | (1) |
|
|
605 | (1) |
|
|
606 | (1) |
|
|
606 | (1) |
|
The Sequel to `A Reminiscence' |
|
|
607 | (1) |
|
|
607 | (1) |
|
|
608 | (1) |
|
|
608 | (1) |
|
|
609 | (1) |
|
A Ballad of Religion and Marriage |
|
|
609 | (1) |
|
Mary E. Coleridge (1861--1907) |
|
|
610 | (17) |
|
The Other Side of a Mirror |
|
|
613 | (1) |
|
|
614 | (1) |
|
|
614 | (1) |
|
|
614 | (1) |
|
`I envy not the dead that rest' |
|
|
615 | (1) |
|
|
615 | (1) |
|
`True to myself am I, and false to all' |
|
|
616 | (1) |
|
|
616 | (1) |
|
Friends-With a Difference |
|
|
616 | (1) |
|
|
617 | (1) |
|
|
617 | (1) |
|
|
618 | (1) |
|
The Contents of an Ink-bottle |
|
|
618 | (1) |
|
|
619 | (1) |
|
|
619 | (1) |
|
|
620 | (1) |
|
An Insincere Wish Addressed to a Beggar |
|
|
620 | (1) |
|
|
621 | (1) |
|
|
622 | (1) |
|
|
622 | (1) |
|
|
623 | (1) |
|
|
624 | (1) |
|
|
624 | (1) |
|
|
624 | (1) |
|
|
625 | (1) |
|
` ``But in that Sleep of Death what Dreams may Come'' ' |
|
|
625 | (1) |
|
`The Fire, the lamp, and I, were alone together' |
|
|
626 | (1) |
|
`Only a little shall we speak of thee' |
|
|
626 | (1) |
|
|
627 | (14) |
|
|
629 | (1) |
|
Legand of the Crossing-Sweeper |
|
|
629 | (1) |
|
|
630 | (2) |
|
|
632 | (1) |
|
|
633 | (1) |
|
|
634 | (1) |
|
|
635 | (1) |
|
The Philanthropist and the Jelly-fish |
|
|
636 | (1) |
|
|
637 | (2) |
|
|
639 | (1) |
|
|
640 | (1) |
|
Dora Sigerson (1866--1918) |
|
|
641 | (3) |
|
The Skelton in the Cupboard |
|
|
642 | (1) |
|
|
643 | (1) |
|
Charlotte Mew (1869--1928) |
|
|
644 | (17) |
|
|
647 | (1) |
|
|
647 | (1) |
|
|
648 | (1) |
|
|
649 | (2) |
|
|
651 | (1) |
|
|
651 | (1) |
|
|
652 | (1) |
|
|
653 | (5) |
|
|
658 | (1) |
|
|
659 | (1) |
|
|
659 | (2) |
Selected Bibliography of Poets' Works |
|
661 | (13) |
Selected Bibliography of Anthologies and Criticism |
|
674 | (3) |
Index to the Notes |
|
677 | (4) |
Index of Titles and First Lines |
|
681 | |